Abby Geni insists she’s “always been a novelist at heart,” and with her provocative debut thriller The Lightkeepers, it’s clear the Evanston native is following her true calling. Part murder mystery, part ghost story, The Lightkeepers tells the twisting tale of nature photographer Miranda as she begins a one-year residency on the Farallon Islands – a remote, untamed archipelago off the California coast. Shortly after arriving, Miranda is assaulted by one of the six biologists studying the islands, and when her attacker is found mysteriously dead days later, she must struggle to face the reality of her assault as the violence escalates around her and suspicions run wild. An insightful exploration of the nature of recovery and the harsh indifference of the natural world, The Lightkeepers was described by the Chicago Tribune as both “an accessible page-turner” and “an astonishingly ambitious debut [that] like many literary classics… raises questions about humanity that are anything but light.” Back on April 25, Geni visited Bookends & Beginnings to read from The Lightkeepers as part of an EPL-sponsored event also featuring author Ben Nadler. If you missed her that night, however, have no fear because we recently spoke to her via email about her novel’s origins, bringing the Farallon Islands to life, and the human disconnect with nature.
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Ben Nadler believes that “a writer owes a reader a good story,” and with his excellent new novel 
My name is Jeff Garrett. I am a born Evanstonian, the son of Northwestern parents and the father of two Northwestern graduates. After graduating from the University of Munich with a degree in linguistics and history, I worked at the International Youth Library in Munich as a language specialist for five years before returning to the US in 1988 and getting my library degree from Berkeley. I worked as a librarian at Purdue University for five years and at Northwestern for 19, retiring this past February from Northwestern as Associate University Librarian for Special Libraries. With my wife Nina, I opened