Brian Edwards’ Best Reads of 2016

December 29, 2016

Brian Edwards
Photo by Lynn Trautmann

My name is Brian Edwards, and I’m the Crown Professor in Middle East Studies and a professor of English and comparative literature at Northwestern. I am also the founding director of the Program in Middle East and North African Studies (MENA), which partners with EPL in a monthly lecture series on the region.

My wife Kate Baldwin, also a Northwestern professor and author, and I moved here originally because of work. We were both born in New York City, but I grew up mostly in Connecticut, she in California (we met in graduate school at Yale). After more than a decade in Evanston, and raising four children ranging from a high school senior to a pre-kindergartner, we have deep ties in the community and love it here.

I’m constantly reading both for work and pleasure. These five books, which come from my reading this fall, are the ones I’m most excited to share right now. Four of them are relatively new: three of them works of fiction and one a work of social history. I also included an overlooked novel from the 1980s that I finally read last month and now cherish. And please also take a look at my own new book, After the American Century: The Ends of U.S. Culture in the Middle East, which is also available at EPL.

1) The Sympathizer by Viet Thanh Nguyen (2015)

The 2016 Pulitzer Prize in fiction went to a first novel by an American studies professor at USC. Set in Vietnam and Los Angeles during the late 1960s and 1970s, Nguyen’s novel is structured as the confession of an unnamed south Vietnamese narrator who is secretly a mole for the communist north. What makes the novel an instant classic is the narrator’s voice: wry, critical, and ruthless as he dissects himself, the Vietnamese refugee community in SoCal, and the excesses of American anti-Communism and violence in the war. The chapters on the making of a fictional Hollywood film called The Hamlet, which closely resembles Francis Ford Coppola’s Apocalypse Now, are devastating. Beyond the sheer pleasure it generates, The Sympathizer shows what the contemporary novel can do to disrupt and deconstruct America’s sense of global superiority and the follies of military occupation in the name of exporting American principles.

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An Interview with Jamil Khoury of Silk Road Rising

February 1, 2016

Jamil Khoury Silk Road Rising is a Chicago theatre company founded in 2002 with the mission of “telling stories through primarily Asian American and Middle Eastern American lenses.”  On Monday, February 8th at 7 pm, they join EPL in sponsoring the lecture “Shakespeare in the Middle East” featuring the former Syrian Minister of Culture and award-winning author Riad Ismat.  One of six February programs planned as part of #DiscoverWill: Illinois Libraries Celebrate Shakespeare’s First Folio, “Shakespeare in the Middle East” will explore the lengthy performance history of the Bard’s work in the region and how it connects today to a broader Middle Eastern audience.  In anticipation of this fascinating program, we recently spoke via email with Silk Road Rising’s Founding Artistic Director Jamil Khoury about the company’s 2007 adaptation of The Merchant of Venice and the challenges of translating Shakespeare for a non-Christian, Arabic-speaking audience.

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