Have You Heard . . . ?

August 14, 2009

listeningSince even those of us who work at the library are constantly surprised by all the cool, new, old, interesting, inspiring, and sometimes just downright strange books, music, movies, and websites that we come across every day, we’ve decided to start this new periodic column on the blog in order to share some of the more unusual things we find. We’ll update it whenever we find something exciting, so be sure to check back often. And while you’re at it, leave us a comment and tell us what strange and beautiful things you’re finding at the library and out in the world. Enjoy!

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The Happiness Project

To kick off the column, today we’re featuring The Happiness Project, a new happinessprojectalbum from Canadian musician Charles Spearin. Hailing from Toronto, Spearin has long been a fixture of Canada’s independent music community, where he performs with the bands Do Make Say Think, and Broken Social Scene. For his new release, Spearin has created something extraordinary. Inspired by the people of his multicultural neighborhood in downtown Toronto, Spearin has made a recording that is a cross between a sociological experiment, an audio documentary, and a pop record.

Sitting on his front porch on summer evenings with his wife and kids, Spearin noticed how all the adults in the neighborhood gathered together on their porches and sidewalks to talk and tell stories while the kids played nearby. He soon began inviting his neighbors over to his home, where he recorded interviews with them, vaguely focusing on the idea of happiness. After each interview, Spearin would listen back to what he’d recorded and look for “meaning and melody” in the voices. He was looking for interesting, meaningful snippets of dialogue, but also for the natural melody of the spoken word. Since we’re so accustomed to speaking and listening to one another all day long everyday, we often don’t really hear the musical qualities of the human voice. As Spearin himself says “we don’t pay any attention to the movement of our lips and tongue, and the rising and falling of our voices as we toss our thoughts back and forth to each other. The only time we pay attention to these qualities is in song. (Just as when we read we don’t pay attention to the curl and swing of the letters as though they were little drawings.)”

But this is where Spearin’s magic comes in. Taking his melody lines directly from the voices of his neighbors, he creates music out of the natural charles_spearinrhythms and cadences of their speech. These found melodies are then transformed into musical notes and played on saxophones, guitars, violins, and a host of other instruments, as they become the focal points of the songs on the album. If this all sounds very formal, experimental, and well, strange, it is. But it’s also a whole lot more engaging and beautiful than you might think. From an old woman’s thoughts on love, to a child’s temper tantrum, to a deaf woman recounting the first time she was ever able to hear after successful surgery on her ear, these recordings are haunting and revelatory, teasing the hidden beauty out of the ordinary and illuminating the music of everyday life. For more information on The Happiness Project, and to hear the music, visit the website and watch the short film below.

[youtube=http://www.youtube.com/watch?v=gRmtvGk5IHw]

The Sounds of Women’s History Month #4

March 16, 2009

42-17814590In honor of Women’s History Month, we’re celebrating overlooked and lesser known female musical artists from around the world. Though they may not be household names, in many cases they served as key influences on other artists who went on to be critical and commercial sensations. Their influence can still be felt strongly in the much of the music we listen to today, and many of them have fans and admirers from among today’s current music scene. In other words, these are artist’s artists—the ones in your favorite musicians’ personal record collections. So hunt them down, check them out, and let them show you why their names and their music should be on your lips. And while you’re at it, drop us a comment and let us know some of your favorite female musicians.

 

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Elizabeth Cotten (1895-1987)

 

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Elizabeth Cotten was born in North Carolina in 1893. By the age of seven, she had begun teaching herself how to play her older brother’s banjo. She soon picked up the guitar as well and began writing her own songs. By the age of 12, Cotten was working as a maid alongside her mother and by 15 she was married and expecting her first child. With her new responsibilities, Cotten had little time for music and largely retired from playing for the next 25 years, only playing very occasionally at church meetings. While later living in Washington D.C. a chance meeting led Cotten to be employed as a maid by the famed folk musicologists Ruth and Charles Seeger, whose children included future musicians Pete, Peggy, and Mike. It was during this time that Cotten began playing music again on one of the many guitars lying around the Seeger home. The Seegers strongly encouraged her to perform her music—son Mike began recording her in 1952 and later produced her first record in 1957 (featuring her best known song, “Freight Train” which she wrote at the age of 12). Soon after she began performing her first live concerts (now in her late 60s) and touring the country, which was in the midst of the 1960s folk music revival. Cotten continued to record and tour for the next several decades, well into her 80s. Many of the songs she performed were among the earliest ones that she wrote, when just a child. Elizabeth Cotten died in Syracuse, New York in 1987. 

 

Watch Elizabeth Cotten performing her song “Freight Train” with Pete Seeger below.

 

[youtube=http://www.youtube.com/watch?v=OMSYzFdloqY]


The Sounds of Women’s History Month #3

March 13, 2009

In honor of Women’s History Month, we’re celebrating overlooked and lesser known female musical artists from around the world. Though they may not be household names, in many cases they served as key influences on other artists who went on to be critical and commercial sensations. Their influence can still be felt strongly in the much of the music we listen to today, and many of them have fans and admirers from among today’s current music scene. In other words, these are artist’s artists—the ones in your favorite musicians’ personal record collections. So hunt them down, check them out, and let them show you why their names and their music should be on your lips. And while you’re at it, drop us a comment and let us know some of your favorite female musicians.

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Karen Dalton (1938-1993)

Karen Dalton was one of the most unique, but least known members of the 1960s Greenwich Village folk music scene. Born to a Cherokee mother in Oklahoma in 1938, Dalton moved to New York City in 1960 and soon became a fixture on the coffeehouse folk circuit, playing with the likes of Fred Neil and Bob Dylan. Because she was an interpreter of other people’s songs, rather than a songwriter herself (like many in the scene at the time) she garnered less attention than some of her contemporaries. Another reason for Dalton’s lukewarm reception is also her greatest asset: her voice. Described by many as sounding like a rural folk version of Billie Holiday, Dalton’s voice is something to behold. Although perhaps an acquired taste, its otherworldly sound is like a force of nature. Dalton was uncomfortable performing live and hated the act of recording, resulting in only two studio albums released in her lifetime. After her records failed to arouse much interest, she drifted away from music and into depression, alcohol, and drugs, eventually ending up living on the streets of New York. She died in 1993. Karen Dalton’s music has been championed by several musical giants over the years, including Bob Dylan, the Band, and Nick Cave. Cave even went so far as to call her his “favorite female blues singer.” Some rare live recordings of Dalton’s from the 1960s have recently been uncovered and released to rave reviews.

Watch Karen Dalton performing live in New York City in 1969 below.

[youtube=http://www.youtube.com/watch?v=y-BIKjypNsE]


The Sounds of Women’s History Month #2

42-17814590In honor of Women’s History Month, we’re celebrating overlooked and lesser known female musical artists from around the world. Though they may not be household names, in many cases they served as key influences on other artists who went on to be critical and commercial sensations. Their influence can still be felt strongly in the much of the music we listen to today, and many of them have fans and admirers from among today’s current music scene. In other words, these are artist’s artists—the ones in your favorite musicians’ personal record collections. So hunt them down, check them out, and let them show you why their names and their music should be on your lips. And while you’re at it, drop us a comment and let us know some of your favorite female musicians.

 

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 Big Mama Thornton (1926-1984)

 

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Willie Mae (“Big Mama”) Thornton got her start in music early in life singing at the Baptist church in Alabama where her father was a minister. In 1941, when she was just 14 years old, she left home for good and joined the Hot Harlem Revue, touring and playing music around the South for the next seven years. Ready to settle down, but not ready to give up her music, Thornton moved to Houston, Texas where she began her recording career. In 1952, she recorded the Leiber and Stoller song “Hound Dog.” The record was a number one hit on the R&B charts and made her a minor star, but was eclipsed four years later when it was recorded by a young man named Elvis Presley. Though she kept recording and playing throughout the 50s, 60s, and 70s, she never again had a hit record. In 1968 she wrote and recorded the classic blues song “Ball ‘n’ Chain,” but was again overshadowed when the song was famously covered by Janis Joplin later that year. Thornton recorded her last album in 1975, but continued touring until her death in 1984. At the time of her death, in a Los Angeles rooming house, the once 350 pound “Big Mama” weighed just 95 pounds. Though she never got the credit she deserved, Big Mama Thornton was musical giant, a legend, and a straight out steamroller. To hear her wailing, belting voice is to be flattened. To watch her dance on stage as she feels the music she is making is to know joy.

 

Watch the definitive (sorry, Elvis) version of “Hound Dog” below.

 

[youtube=http://www.youtube.com/watch?v=5XUAg1_A7IE]

 


The Sounds of Women’s History Month #1

March 9, 2009

42-17814590In honor of Women’s History Month, we’re celebrating overlooked and lesser known female musical artists from around the world. Though they may not be household names, in many cases they served as key influences on other artists who went on to be critical and commercial sensations. Their influence can still be felt strongly in the much of the music we listen to today, and many of them have fans and admirers from among today’s current music scene. In other words, these are artist’s artists—the ones in your favorite musicians’ personal record collections. So hunt them down, check them out, and let them show you why their names and their music should be on your lips. And while you’re at it, drop us a comment and let us know some of your favorite female musicians.

 

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Malvina Reynolds (1900-1978)

 

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Malvina Reynolds was born in 1900 to Jewish socialist immigrant parents living in San Francisco. Despite being refused a high school diploma (because of  her parents’ opposition to U.S. involvement in WWI) she went on to earn a BA, MA, and Ph.D. Due to the prejudices of the times she was unable to find work as a college professor, so she went to work as a social worker and as a columnist for the communist newspaper the People’s World. During World War II she worked on the assembly line at a bomb factory. In the late 1940s she met Pete Seeger and other folk singers and was inspired to start writing her own songs. She began to gain some recognition as a writer when her songs were recorded by Harry Belafonte, Joan Baez, Judy Collins, Pete Seeger and other popular performers of the day. Reynolds is best known for the song “Little Boxes,” with which Seeger had a hit single in 1964. Perhaps her most important work, however, was the songs she wrote in support of peace protesters, labor strikers, and environmental activists. Later in her life and career she also wrote some children’s songs and contributed music to Sesame Street. She has gained modest recognition recently as her “Little Boxes” was chosen as the theme song for the television show Weeds. It has since been covered by Iggy Pop, Elvis Costello, Linkin Park, Devendra Banhart, Regina Spektor, and others. Malvina Reynolds died in 1978.

 

Watch Malvina Reynolds performing her song “No Hole in My Head” with Pete Seeger and Ramblin’ Jack Elliot below.

[youtube=http://www.youtube.com/watch?v=4sooNNv9qHg]

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